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In Bergman’s film, The Seventh Seal, Block does not seem worried that it will all be pointless. He is returning from war, he has travelled through plague territory. He has seen how easily lives are lost. The thin knight with the tense expression is anxious not because of Death, but because God is silent. He has found no basis to his faith. Faith is a torment.
As we know, blackboards are where teachers write lessons and students pay attention. This simple technology facilitates the giving and receiving of knowledge. The blackboard cannot be separated from the teacher. It is their first and last sign, like the flag in a scene of defeat.
The ‘Malay world’ in this novel is not a closed, impenetrable world. In this novel at least, that kind of world does not become ‘local color’. Usually in literary criticism, what is called ‘local color’ is something identifiable—because it is whole, homogenous and distinctive: descriptions of landscape, customs and local dialects used in the story.
The past does not stop. Over and again, we fail to recapture it in memory. Of course, we have history books and think that this is where the past is recorded as memory. But memory is the product of the present, and the present is not a station where memories pause, unchanging. This is why we often try to recall the past in other ways.