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In the period between the 1970s to 1990s, aside from being places for sport events, sports arenas in many cities were locations for music concerts. These places gave birth to many talented musicians. The Saparua Sports Arena in Bandung, for instance, was the place for underground music communities to see bands emerge in the 1990s. These included Burgerkill, Puppen, Jasad, Koil, PAS Band, Pure Saturday, and Dajjal, who later became big and were the pioneers for other bands which came after.
Sports stadiums in other cities also provided space for the glory of local bands. There is the Manahan Sports Arena in Solo, Bulungan in Jakarta, also Pulosari in Malang. Unfortunately, several of these sports centers have been pulled down. Some are still standing, but they no longer service the performing arts. A slice of memory surrounding the glory of these sports centers for musicians has been recorded in a documentary about the Saparua Sports Arena, broadcast on several live streaming channels in June. The documentary by director Alvin Yunata raised the query whether sports centers could go back to being creative spaces for young people in an era when everything is digital.
The love for South Korean culture which has been growing for over a decade leads to the formation of a community of dedicated fans in Indonesia. They are looking to purchase items that can make them feel closer to their idols. It has created opportunities for businesses both large and small.
DE Oost is the first major Dutch film which clearly exposes the violence committed by its military during the 1945-1949 Indonesian independence war. It showed how an elite Dutch corps under Captain Raymond Westerling sowed terror in South Sulawesi, killing thousands of Indonesians. This controversial movie, made in a span of almost a decade, has sparked a flood of reactions—from praise to condemnation—from the Dutch media and public. On Twitter, Dutch Defense Minister Ank Bijleveld expressed regret that De Oost, made by Dutch-Moluccan Director Jim Taihuttu, has caused unrest among former soldiers who served in Indonesia, as veteran associations like the Dutch East Indies Federation (FIN) accused the film of defaming veterans. FIN even took the filmmakers to court. Tempo spoke to the film’s director, producers, and actors, and also historians, in the Netherlands and Indonesia.
GERMAN author Horst Henry Geerken follows the trace of Adolf Hitler and the Nazi ideology in Indonesia through the third and fourth volume of his book Hitlers Griff nach Asien. These two newest editions, published last year, continued what Geerken started in his previous volumes with the same title. In his recent books, Geerken delved into the diaries of Otto Coerper, which gave detailed descriptions on some 300 Germans who had been jailed in the Dutch Indies. According to Coerper’s notes, those prisoners were released after the Japanese entered the territories in 1942. They then settled in Sarangan by Mount Lawu in East Java, and set up a German school, or Deutsche Schule. Coerper also formed an officer’s training academy for military police.
The president at the time, Sukarno, sent navy cadets from Yogyakarta to learn German at the Deutsche Schule, so that they could understand military equipment, many of which originated from Germany. Among alumni from the Deutsche Schule are Raden Eddy Martadinata dan Donald Isaac Pandjaitan.
Women activists widen their network and rally support to ratify the Sexual Violence Eradication Bill. A number of women ulema made a breakthrough by organizing the first Indonesian Ulema Women’s Congress in 2017 to support the elimination of sexual violence, promotion of gender equality, and prevention of child marriage. Intensifying its online campaign, the women activists seek support from influential mass organizations, some of whom are still at odds with the activists.
THE Sexual Violence Eradication Bill returned to the national legislation limelight on 23 March. This is the fruit of the labor of women’s rights activists who have been tireless in realizing legislation to protect women from sexual violence. But the struggle is far from over. Since it was first proposed by the National Commission on Violence against Women in 2012, the draft regulation has been in limbo. After entering the national legislation program in 2016, the bill remained unpassed. Women’s rights activists have gone through a winding road to convince the House of Representatives and the government so that the draft regulation can be immediately discussed and passed.
Supporters of Sexual Violence Eradication Bill are tirelessly lobbying political party leaders and parliament members. They mapped the legislators who could help accelerate the deliberation and passing of the bill into law. The activists switched their approach from hard-line to political lobbies. The Prosperous Justice Party (PKS) is still standing in their way.
Deliberations regarding the Sexual Violence Eradication Bill encountered problems while at the government level because 102 crucial articles disappeared. Women activists are trying to convince the government to put these articles back in, as in the original draft they formed the core of the bill.
Workers renovating Sarinah building last year found a relief from Sukarno’s era, 3 x 12 meters in size, hidden in the building’s electrical room. The relief depicts the atmosphere of the old market: women in traditional kebaya strolling the market and men in conical hats carrying wares. Records of the relief could not be found, leading to speculation from enthusiasts and experts regarding the origin of the relief and how it was abandoned in the building's generator room. Was the relief deliberately hidden by the New Order because it was deemed 'leftist' or did someone decide the depictions of the relief did not fit with the more modernized Sarinah?
Tempo interviewed children of famous artists from the 1960s to explore the possibilities of who made the relief. Tempo also interviewed the minister of manpower during the New Order era, Abdul Latief, who was an employee at Sarinah at the beginning of its establishment.
Land of the Rakyat Penunggu customary community in the Langkat Regency of North Sumatra was taken over for the sugar self-sufficiency project carried out by Perkebunan Nusantara II. Residents were intimidated and promised lands and employment in order to go along with the plan.