FROM afar, the painting appears to feature a wrinkled donut, looking like a head recently shaven. The center is not round, but looks more like a black crevice with white underneath it. Ni Nyoman Sani, the painter, used acrylic for the large canvas and she called it Entrance. Amidst the sketch, Sani embedded acrylic gold dots randomly on the canvas. Those were almost invisible from a distance. Meanwhile, beyond the object, Sani scattered some grey