DURING a late lunch at Blok S, South Jakarta, Yuki told me about a detail from the film Djakarta 1966 (Director: Arifin C. Noer, 1982). Yuki Aditya is director of the Arkipel Film Festival and is currently undergoing postgraduate studies at the Jakarta Institute of the Arts. His focus lies mainly on films made during Indonesia’s New Order era. One result is a documentary, Segudang Wajah Para Penantang Masa Depan (The Myriad of Faces of the