The exhibition hall on the second floor of the Adam Malik Museum on Jalan Diponegoro in Central Jakarta, conveys the sense of once having been home to now-lost treasures. Tragically, thousands of pieces of china, paintings, and priceless historical artifacts have disappeared from the museum—without trace. Alone in quietude, a painted portrait of Adam Malik remains on the wall, his eyes surveying the emptiness around him with an air of sad