THE two exhibitions of Teguh Ostenrik this year prove that Teguh is an artist who really doesn’t want to compromise with the main trends in Indonesian visual arts. The two exhibitions were deFACEment at the National Archives in late April and Wok with Me at the Atrium Mal Pacific Place, in August.

This may be the first time that an Indonesian artist has shown interest in working with industrial scrap metal. And Teguh began this from Nikko Ste