Between Hajar Aswad and Marcel Duchamp
Wednesday, August 24, 2011
ONE afternoon at the end of July, a youth dressed in a casual shirt and denim pants and carrying a backpack, walked up to Building A of the National Gallery in Jakarta. He stopped at the glass-door entrance, where sandals were strewn about. He took off his shoes and entered the building.
The youth saw a number of paintings displayed at the building's lobby, which was part of the 'Bayang' Indonesian Islamic Contemporary Art Exhibition, running from Ju
...
Subscribe to continue reading.
We craft news with stories.
For the benefits of subscribing to Digital Tempo, See More