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After Affandi and ‘Affandiism’

Tuesday, June 12, 2007

Jakarta and Yogyakarta are commemorating the centenary of the painter Affandi: a maestro who never bothered with theories.

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REMINISCING about Affandi is like bringing calm to a generation that has turned this nation into nothing more than a “republic of dreams.” It was a time when change gave a place to the principle of the individual, something no longer important that Chairil Anwar’s call, Boeng, ajo Boeng! (Come brothers!) later became an eternal part of the well-known poster by Affandi.

With the direction of art in Indonesia in the post-independence era wit

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