October 27, 2015 edition
THE seven teenaged Jailolo dancers stomped their heels in rhythm, bouncing like springs for nearly 90 minutes. Like a swarm of fish at seabed, a dancer would separate from the group momentarily, then return to join the group. Perspiration flew like ocean spray into the air.
On successive evenings at the Indonesian LAB Festival, 'Cry Jailolo', created by Eko Supriyanto, drew thundering ovations at the Mousonturm Frankfurt playhouse. Eko's piece was simple, minimalist and muscular, representing a return to the purity of highlighting the physical. Traditional elements were a source of inspiration, but the result was decidedly contemporary.
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More Interlude articles in other editions
October 13, 2015 edition
A rocking chair sits at the entrance to a house in Bausasran, Yogyakarta. Above it hangs a large photograph of Umar Kayam, a well-known Indonesian man of letters.
"Please sit here if you wish," said Kusen Ali when Tempo visited the house three weeks ago. It was on this rocking chair that Umar Kayam used to receive students and hold long discussions.
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September 15, 2015 edition