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Elisabeth Wiliam is thrilled to be back in the classroom. In front of her hangs a large flat screen television connected to a small modem. A camera sits on top.
The scene likely bears little resemblance to the rooms she sat in 28 years ago when she was studying at her vocational nursing school (SPK). "But now, we learn through video conferences and use laptops to go online," the 53-year-old woman said.
THE Agung Rai Museum of Art (ARMA) is located deep in the cool, bursting-green surrounds of Ubud, Bali. Founded by Agung Rai, an Ubud-born painter, the ARMA compound is dotted with ponds, fountains, flowerbeds, paddyfieldsand even an herb garden.
The museum, which opened in 1996, consists of the Bale Daja and Bale Dauh exhibition halls, both of which reflect traditional Balinese architecture. Entering Bale Daja and Bale Dauh is like stepping back in time and then zooming back ahead again. Masterpieces by 19th century painter Raden Saleh blend into Kamasan bark paintings by Batuan artists from the 1930's. There are also paintings by Balinese masters such as I Gusti Nyoman Lempad, Anak Agung Gde Sobrat, I Gusti Made Deblong. Paintings by Willem Gerald Hofker, Rudolf Bonnet, Adrien Jean Le Mayeur de Marpres and Willem Dooijwaard can also be found.
From October through February, Arfah Arifin, 40, often comes home empty-handed. Like other fisherwomen in Perlis hamlet, Langkat regency, North Sumatra province, she has to work side jobs just to make ends meetsometimes that means serving food to students at the elementary school, other times it means watering nurseries.
Arfah works long hours, and even then often comes up short on her children's school tuition. This forces her to pay her neighbors 'courtesy visits', where she asks for money. "The important thing is that food is always there," the mother of four told Tempo two weeks ago.
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