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Amangkurat is loneliness: the friendless king on an island.
In early January 1648, Amangkurat, the ruler of Mataram, moved his palace from Karta to Plered, a location in the area of Bantul where the Winogo River had been dammed. Construction had already begun of man-made lakes around the palace.
In a house in a dank alley in Paris on March 24, 1897, a 67-year-old man is writing. We do not know who he is. As the Narrator begins his story in Umberto Eco's novel The Prague Cemetery, no one has yet 'been named'.
Even the man himself does not remember who he is. Two days earlier, when he awoke, he knew he was 'Captain Simonini'. But then he discovers other facts: he is Abb Dalla Piccola, "or rather, the person everyone knows as Abb Dalla Piccola."
Fayadh escaped the death sentence. The news came in early February: his sentence was commuted to eight years jail and 800 lashes.
Ashraf Fayadh, a 36-year-old poet, is an arts curator who published a collection of poems titled Instructions Within and was arrested by Syariah police in 2013. The Saudi Arabian judge thought him an apostate. He was sentenced to death by beheading or hanging.
There is a story about a Bedouin living far from Damascus, in the interior of Syria, who was disappointed when he rode a train for the first time. "I'm not satisfied," he complained to his friend. "The ticket was expensive, but the journey ended too quickly."
This might sound stupidlike other stories city people make up to poke fun at country peoplebut actually the Bedouin makes modern people aware: reaching someplace 'quickly', which to most of us is the formula of achievement in our times, might not equate the value of experience. Speed produces results but at the same time wards off something else.
It is 2016. At 75, my life lying before me is far less than the life I've lived. This is the age when people are usually uneasy with the present, because in the 21st century the present is increasingly whipped along by the future. The technology surrounding us is not there for right now: fast trains, solar energy cars, hologram communication... life seems to be moving without pausing in the present.
But nostalgia is there in the cracks.
If there is one icon that marks our times, it is the hand phone. The Indonesian word for it is perfect: 'telepon genggam' or 'clutched phone'. We can clutch it any time, anywhere, but it, too, can hold us in its clutches any time, anywhere. Whenever someone sits alone in a corner, or together with a friend in a caf, on a crowded bus or attends a village meeting, out comes the HP from the pocket, eyes scan the messages on the narrow screen, and attention is momentarily diverted. More often than not, conversation stops.
These days, the first thing we see in the morning when we wake up, even before turning on the light, is not the newspaper, not the radio, not the TV. It is the hand phone: the Samsung, Nokia, Motorola...
A militant is someone who makes himself vanish in order to become something effective, terrifying, overwhelming. Saaman, the character in Pramoedya's novel Keluarga Gerilya (The Guerilla Family), is at age 23 already a guerilla leader in Jakarta then occupied by Dutch forces, and he plans a series of killingsincluding that of his own stepfather who is on the other side. Saaman is captured. But he knows he has to die, just as he has to kill. He is a militant.
Some say that the term 'militant' is from ancient Latin, meaning 'mile-goers'. It probably refers to fortitude, including the bearing of pain and exhaustion, voluntarily, when moving towards something whose meaning is greater than oneself.
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