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Wood Messages, Tales from a Village

Tuesday, August 7, 2001

Using only objects from a village, sculptor Anusapati has denied the abundant resources of the modern world. His work contains multiple forms and shapes loaded with parody.

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The modern store of sculpture has irreversibly accustomed us to sturdy, heavy and soaring figures that dominate the space in which they stand, and often purposely monumental. The stamp of a sculptor, so they say, is his or her ability to bring authentic values to their work: resisting transitoriness and upholding durability, an implicit denial of material erosion. Anusapati's work does not fit within such a framework. The 13 sculptures current

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