Goodbye Pao Kun, in All Languages
Tuesday, October 1, 2002
APERSON’S passing is comprehended in fragments. No single person can offer a complete picture. When I heard of Pao Kun’s death, my own experiences of the man, his work and his stories slowly emerged. In my fragment, the life of the Singaporean theater practitioner was closely linked to a number of people across national boundaries and creative disciplines.
I once had the pleasure of listening to Pao Kun’s account of trips to
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