maaf email atau password anda salah
Religion, anxiety and prejudice, all are semi-mute on the old Prague clock. Built over 600 years ago, the Orloj timekeeper gradually became a sign of distrust; there was something that had to be rejected, something called 'the Turk'. Affixed to the tower on the southern wall of the ancient City Hall in Staromstak Nmst, the Orloj bears a message conveyed with symbols.
To the left and right of the clock face are four small statues. The most striking is that of a human skeleton. With a robe draped over his shoulder, he holds a wooden frame in his left hand; inside is an hourglass. In his right hand is a bell. On the hour at every hour, this terrifying skeleton makes the bell peal. He is Death.
We are familiar with this picture that seems to come from another continent: the poet, exiled from Kallipolis, threadbare, smelly, homeless, an insomniac, living with no schedule, and producing things whose function is unclear: poems. He rarely finds place within a structure. He is outside. Even if he wanted to return, Kallipolis would not take him back. Within the ideal city of Plato's imagination, the poet is an element whose function is only to praise the herowhich we know does not work because heroes are figures who freeze in obligatory odes. So there is some truth, albeit slightly exaggerated, in Alfred de Vigny's words of 1832, that poets are "the race always cursed by the powerful of the earth."
At the time he wrote this, the cities of Europe, and particularly Paris, were beginning to move with modern design that was streamlined and ordered. Poetry, with its unpredictability, was increasingly alien within it. Paul Verlaine compiled an anthology of poetry, les Potes maudits, which was published in 1884: the works of 'the cursed poets'. Included in this group were Verlaine himself, along with Rimbaud and Mallarmto mention only those who are best known outside of France. And at the forefront: Baudelaire.
'The builder of Batavia' who is buried there was a man with a motto, as quoted in 1618: "Despair not, spare your enemies not, for God is with us."
He was certainly a strict Christian, an administrator who upheld discipline and of course pursued VOC (Dutch East India Company) ambitions to monopolize trade in Asia in the 17th century.
Attar lived in a time of slim hope, and died aged 76 in a massacre. He lived in Nishapur, in the province of Khorasan in Persia where he was born around 1145, and was relatively well off. Before he wrote poetry using the name Attar and travelled widely meeting prominent Sufis, he lived comfortably as a pharmacist. Patients thronged to him. From them, Attar earned his living-and from them, too, he got to know sad stories of people and the fragility of faith in life.
So he wrote the Mosibatnmeh or The Book of Strife, an epic poem challenging God.
Independent journalism needs public support. By subscribing to Tempo, you will contribute to our ongoing efforts to produce accurate, in-depth and reliable information. We believe that you and everyone else can make all the right decisions if you receive correct and complete information. For this reason, since its establishment on March 6, 1971, Tempo has been and will always be committed to hard-hitting investigative journalism. For the public and the Republic.