I don't understand Bob Dylan. Maybe that's how it should be: something that fascinates is something that does not have to be, or cannot be, understood. I read Dylan's book of poetry, Tarantula, which he wrote in 1966 when he was twenty-five. In it, words move not like letters, not like vessels of meaning, but as sound, in their repetition, consonants, emphasis, and syllable length:
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