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Search Result “Terlalu Vulgar Ini Film India Yang Dicekal Di Indonesia”

Mira Lesmana Filmaker
Through films, we can show the face of Indonesia

Not many filmakers have delved into the lives of Indonesians in remote areas. But seasoned producer Mira Lesmana sees a wealth of interesting stories from the outer islands. One of Mira's films, Atambua 39 Celcius (2012) explores the culture of West Timor in East Nusa Tenggara (NTT) province, not a frequently visited area. The film uses the local Tetun dialect, which is fast disappearing. "I have this wish to preserve something before it changes or disappears," said the founder of Miles Films production company,

NTT is the background of her 2014 film, Pendekar Tongkat Emas (Knight of the Golden Rod), which was produced in Waingapu, Sumba. "I happen to be in love with NTT, a region with a unique character. I have travelled to the islands of Flores, Timor and Sumba, but I have yet to visit the smaller islands, like Sabu and Rote," said 50-year-old Mira.

Outreach Thursday, January 1, 1970 Edition

Werner Herzog:
This is a film about the deepest human soul

WERNER Herzog is considered one of the greatest figures of the New German Cinema. French filmmaker Francois Truffaut once called Herzog "the most important film director alive." Born in Munich, Germany 62 years ago, he has made scores of movies, such as the critically acclaimed The Enigma of Kaspar Hauser and Aguirre, The Wrath of God. He is also known for his documentary films, like The Flying Doctors of East Africa, Grizzly Man and On Death Row.

Herzog and his films have repeatedly won awards in film festivals around the world. His first was the Silver Bear Extraordinary Prize of the Jury in 1979 for his production of Signs of Life. At the Cannes Film Festival in 1982, he was named best director for his film Fitzcarraldo and the Alfred P. Sloan Prize for Grizzly Man at the 2005 Sundance Film Festival. In 2008, his film Encounters at the End of the World was named the best documentary film at the Edinburgh International Film Festival.

Arts & Culture Thursday, January 1, 1970 Edition

Ahmad Yani, Chief Of Internal Security, Sang Hyang Seri Company:
There Are No Fictitious Paddy Fields

The Sang Hyang Seri company was reported to have been responsible for a program to create paddy fields in Ketapang, West Kalimantan. But out of a targeted 100,000 hectares, only 100 hectares were cultivated. "Why was it reported as fictitious? We always submitted an accountability report," said Ahmad Yani, chief of Sang Hyang Seri's internal security unit, speaking to Tempo reporters Gustidha Budiartie and Ayu Prima Sandi at his office last Thursday.

Economy Tuesday, June 9, 2015 Edition

Wayang Potehi of Java

Wayang Potehi of Java
By Ardian Purwoseputro
Publisher: Afterhours Books 2014
ISBN 978-602-97507-9-9

The fitting name for Indonesian-born Chinesethe country's significant and largest ethnic minorityis peranakan (children of the Indies), a group that has evolved their own customs, law, dialect, cuisine and performing arts, all of which have become not just the heritage of the country's Chinese citizens but that of every Indonesian.

Among the most beloved cultural icons that Chinese-Indonesians have given to the country is potehi, a unique form of puppet theater featuring puppets-in-the-round. This ancient traditional theater form, which epitomize Chinese culture, is based on ancient myths and legends. Thanks to the exposure given now to this artistic legacy, Wayang Potehi is one of the best examples of Indonesia's interfaith harmony and cultural diversity.

Books Thursday, January 1, 1970 Edition

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